![]() ![]() ![]() Religion in the concert hall 590Įleven Romantic Opera: Politics3 Trash, and High Art Politics and melodrama 599. Classical form and modern sensibility 586. ![]() T e n Mendelssohn and the Invention of Religious Kitsch Mastering Beethoven 569. Long-range harmony and contrapuntal rhythm: the "Scene d'amour" 556 Tradition and eccentricity: the idee fixe 546. Nine Berlioz: Liberation from the Central European Tradition Blind idolaters and perfidious critics 542. The invention of Romantic piano sound: the Etudes 491. The Sonata: the distraction of respectability 479. Die Lorelei: the distraction of influence 474. Freedom and tradition 452Įight Liszt: On Creation as Performance Disreputable greatness 472. Seven Chopin: From the Miniature Genre to the Sublime Style Folk music? 410. Virtuosity and decoration (salon music?) 383. Six Chopin: Virtuosity Transformed Keyboard exercises 361. Song cycles without words 220įive Chopin: Counterpoint and the Narrative Forms Poetic inspiration and craft 279. Three Mountains and Song Cycles Horn calls 116. Quotations and memories 98 Absence: the melody suppressed 112 Experimental endings and cyclical forms 78. One Music and Sound Imagining the sound 1. Harvard University Press Cambridge, MassachusettsĬopyright © 1995 by Charles Rosen All rights reserved Printed in the United States of America Sixth printing, 2003 Based on the Charles Eliot Norton Lectures ![]()
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